Seung-Hwan Oh works and lives in Seoul, where he was born and raised until moving to New York where he studied film and photography at CUNY Hunter College. His work and practice stem from his interest and approach toward other disciplinary thoughts and ideas, from philosophy to sciences. His most recent work, exhibited at Zaha Museum, was inspired by the notion of the first advent of vision in life on earth, and his current work focuses on implementing microbial growth on film as a means to explore the impermanence of matter as well as the material limitations of photography.
GRAVITY (2014) | 001 & 002
New York, NY 2014
Photography by Ellington Hammond
Design by Phillip T Annand
Featuring Bryan Stevenson and Darryl Richardson
Sherpa | http://sherpa-design.de
"A Clockwork Orange broaches the issue of the freedom of the individual by using the protagonist Alex. The recipient accompanies Alex through the plot and takes his point of view. He senses whenever Alex acts in a state of free will and he senses whenever Alexs free will is limited. Furthermore in some passages he takes a point of view above Alex as a spectator.
The notices being made in this position are arranged in a subtle visual and typographical staging. The recipient is being tricked. He thinks to be in full control about his way of reading. In fact the typographical staging has control about the recipient and guides him in one’s sole discretion.”
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